Sara Aaied Al-Ofi2022-05-192022-05-191848https://drepo.sdl.edu.sa/handle/20.500.14154/10304White playwrights’ attempts to speak for African Americans in the nineteenth and twentieth century have been considered by critics as controversial. Ralph Matthwes, in his article "The Negro Theatre- A Dodo Bird" (1934),enWhite Skin, Black Voice: a study of the characterization of African Americans in Thomas Gibbons' Bee-Luther-Hatchee (1999), permanent collection (2003), a house with no walls (2007)Thesis