Escaping reality in Tennessee Williams's the Glass Menagerie (1944), A Streetcar Named Desire (1947), and Cat On A Hot Tin Roof (1956)
| dc.contributor.author | Ohood Saleh Al-Aqeel | |
| dc.date | 2013 | |
| dc.date.accessioned | 2022-05-19T12:20:31Z | |
| dc.date.available | 2022-05-19T12:20:31Z | |
| dc.degree.department | كلية الآداب والعلوم الإنسانية | |
| dc.degree.grantor | Taibah University | |
| dc.description.abstract | The present study offers a reading of T. Williams' early plays (The Glass Menagerie, A Streetcar Named Desire, And Cat on A Hot Tin Roof) and highlights the theme of escaping reality as portrayed by him. Thus it touches upon a topic that is still not fully researched with reference to Williams' works. Basically, Williams' portraits of ordinary, | |
| dc.identifier.other | 1847 | |
| dc.identifier.uri | https://drepo.sdl.edu.sa/handle/20.500.14154/10340 | |
| dc.language.iso | en | |
| dc.publisher | Saudi Digital Library | |
| dc.thesis.level | Master | |
| dc.thesis.source | Taibah University | |
| dc.title | Escaping reality in Tennessee Williams's the Glass Menagerie (1944), A Streetcar Named Desire (1947), and Cat On A Hot Tin Roof (1956) | |
| dc.type | Thesis |