White Skin, Black Voice: a study of the characterization of African Americans in Thomas Gibbons' Bee-Luther-Hatchee (1999), permanent collection (2003), a house with no walls (2007)
| dc.contributor.author | Sara Aaied Al-Ofi | |
| dc.date | 2015 | |
| dc.date.accessioned | 2022-05-19T12:18:11Z | |
| dc.date.available | 2022-05-19T12:18:11Z | |
| dc.degree.department | كلية الآداب والعلوم الإنسانية | |
| dc.degree.grantor | Taibah University | |
| dc.description.abstract | White playwrights’ attempts to speak for African Americans in the nineteenth and twentieth century have been considered by critics as controversial. Ralph Matthwes, in his article "The Negro Theatre- A Dodo Bird" (1934), | |
| dc.identifier.other | 1848 | |
| dc.identifier.uri | https://drepo.sdl.edu.sa/handle/20.500.14154/10304 | |
| dc.language.iso | en | |
| dc.publisher | Saudi Digital Library | |
| dc.thesis.level | Master | |
| dc.thesis.source | Taibah University | |
| dc.title | White Skin, Black Voice: a study of the characterization of African Americans in Thomas Gibbons' Bee-Luther-Hatchee (1999), permanent collection (2003), a house with no walls (2007) | |
| dc.type | Thesis |