Feminist Identity of Young African-American Girls in Virginia Hamilton’s Novels
Abstract
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Abstract
This thesis argues that the children and young-adult fiction produced by Virginia
Hamilton between 1967 and 1999 represents African-American girls’ feminist
identity through five thematic divisions—upmothering, adolescent friendship as
sisterhood, historical trauma, adolescent leadership and empowering representations
of the Black female body. I believe that this scrutiny of Hamilton’s fiction is
significant to the exploration of critical and theoretical implications in post-colonial
children’s literature. The exploration of Black girls’ connection to feminism in
Hamilton’s books is carried through an interdisciplinary framework of Black society,
history, psychology, literature and visual arts by analysing the selected narratives of
Zeely (1967), Sweet Whispers, Brother Rush (1982), Justice and her Brothers
(1978), Cousins (1990) and Bluish (1999), through which the cultural, social and
visual representations of Black girls’ feminist identity are manifested and explored.
The findings of this thesis contribute to post-colonial feminist trends in children’s
literature by highlighting how feminist identity is created in Black young-adult and
adolescent fiction. My analysis of the selected novels reveals Hamilton’s creative
liberating consciousness that celebrates intersectional feminist identity by denoting
empowering cultural models of upmothering as a limited division of Black
othermothering practices. She also reintroduces other influential children’s practices
such as adolescent friendship as sisterhood, historical trauma as a communal
concern, adolescent leadership as a collective work advantageous to children while
cooperating in groups, and finally, empowering representations of the Black female
body as an able-bodied cultural agent. The findings of this research facilitate in
understanding a genre of literary racial contexts of resistance, resilience,
empowerment and multiculturalism in children’s literature. Furthermore, they
include an extension of theorisation regarding Black othermothering, as well as
sisterhood and leadership concepts, which serve to enrich the theorisation of Black
children’s literature.