The extent to which sound effects in Islamic chant is considered as a Musical work under the UK and Middle Eastern countries’ copyright law.
dc.contributor.advisor | Professor Estelle Derclaye | |
dc.contributor.author | SAAD NASSER SAAD ALQAHTANI | |
dc.date | 2017 | |
dc.date.accessioned | 2022-05-29T11:36:58Z | |
dc.date.available | 2022-05-29T11:36:58Z | |
dc.degree.department | International Commercial Law | |
dc.identifier.other | 35489 | |
dc.identifier.uri | https://drepo.sdl.edu.sa/handle/20.500.14154/46693 | |
dc.publisher | Saudi Digital Library | |
dc.title | The extent to which sound effects in Islamic chant is considered as a Musical work under the UK and Middle Eastern countries’ copyright law. | |
dc.type | Thesis | |
sdl.thesis.level | Master | |
sdl.thesis.source | SACM - United Kingdom |